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Director: Valeria Bruni Tedeschi
Screenplay: Valeria Bruni Tedeschi, Noémie Lvovsky and Agnès de Sacy

Cast:
Federica: Valeria Bruni Tedeschi
Bianca: Chiara Mastroianni
Pierre: Jean-Hugues Anglade
Philippe: Denis Podalydès
The Mother: Marysa Borini
The Father: Roberto Herlitzka
Aurélio: Lambert Wilson

Awards:
Best First Film, Prix Louis Delluc (2003), Best Emerging Film Maker and Best Actress (Valeria Bruni Tedeschi), Tribeca Film Festival (2003)

Running time: 110'
Year of production: France - Italy 2003
Rating: Not rated
Gauge: 35mm, DVD (color)

Distributor: New Yorker Films


“Using the cinema as, borrowing Orson Well’s phrase, a ‘ribbon of dreams’, Valeria Bruni-Tedeschi shows an iconoclastic pleasure in blending her two filmmaking backgrounds – Italian and French… [The film] first with the very essence of Italian popular comedy: joyful despair.” Frédérique Moreau, Tribeca Film Festival

Drawing heavily on her own life, Bruni Tedeschi plays Federica, the daughter of a wealthy Italian industrialist who moves his family to Paris. She feels incredibly guilty because she is rich. She also feels trapped by her social status, her family and her relationships with men. To assuage her guilt and in an effort to free herself, Federica makes frequent trips to the confessional – trips that seem motivated more by masochism than by genuine contrition. Her boyfriend is a history teacher who is ready to marry her and start a family. She is attracted by his self-righteousness and his working-class background as both represent a form of self-inflicted punishment. Her confusion increases when she runs into an ex-boyfriend who is now married. To add to her distress, her father’s illness brings her contentious family together and forces her to face an insensitive mother, a wry brother and a resentful sister. Overwhelmed by her approaching inheritance and unable to sort out her tangled relationships with men and her family, Federica seeks comfort in her wild imagination. Valeria Bruni Tedeschi expands the narrative with a dazzling array of childhood flashbacks, whimsical animations, fantasies, and character-enriching improvisations. The actress-director’s self-portrait is unsparingly and insightfully self-critical and marks an auspicious directing debut for actress Valeria Bruni Tedeschi (Mon Homme, Nénette et Boni).

 
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