LAISSEZ-PASSER
SAFE CONDUCT

Director: Bertrand Tavernier
Screenplay: Tavernier and Jean Cosmos

Cast: Jean Devaivre: Jacques Gamblin
Jean Aurenche: Denis Podalydes
Olga: Marie Gillain
Simone Devaivre: Marie Desgranges
Suzanne Raymond: Charlotte Kady
Reine Sorignal: Maria Pirarres

Awards: Best Actor (Gamblin),
Berlin Film Festival (2002).

Running time: 163 minutes
Production: France/Germany/Spain, 2002
Rating: Not rated
Gauge: 35mm, !VHS! available instead of DVD (color)

Language: French

Distributor: Empire Pictures


"A rangy, irreverent, episodic odyssey through French filmmaking during the Occupation [Safe Conduct] is one of the very best movies ever made about the life of moviemaking... Tavernier’s exposition is invisible, his textures evocative and unpretentious, his regard for his characters fundamental and kind. A tense force field of moral ambiguity surrounds every scene." Michael Atkinson, The Village Voice.
Laissez passer

  Charting the trajectories of two real-life figures working in the German-controlled French film industry from 1942 to 1944, Tavernier paints a vast, detailed canvas of a rarely portrayed aspect of the Resistance. Offered a job as an assistant director at the German-run studio Continental, Devaivre is faced with a dilemma. Despite his Resistance activities, is working for the Germans tantamount to collaboration? Ultimately he accepts the position, which allows him to feed his family, and commits sporadic acts of sabotage on the side. At his studio job he discovers a demi-monde of saboteurs who work to subvert German propaganda messages. Aurenche, screenwriter and notorious womanizer, is also wooed by Continental, but pretends to be overburdened with other writing jobs. Remaining on the fringes of the industry, he confines his resistance activity to the content of his scripts. True to history, the two men cross paths but never have a significant interaction. The narrative thus alternates between their two stories, generating a fragmented structure that perfectly conveys the uncertainty of the times. With 139 speaking parts and a wealth of period detail, Tavernier fashions a fascinating and wholly convincing reflection of a unique epoch in French history.

 
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