NE TOUCHEZ PAS LA HACHE
THE DUCHESS OF LANGEAIS

DIRECTOR
Jacques Rivette

SCREENPLAY
Pascal Bonitzer, Christine Laurent &
Jacques Rivette. Based on Honoré de Balzac’s novella La duchesse de Langeais.

CAST
Antoinette de Langeais:
Jeanne Balibar
Armand de Montriveau:
Guillaume Depardieu
Vidame de Pamiers: Michel Piccoli
Princesse de Blamont-Chauvry: Bulle Ogier
Clara de Sérizy: Anne Cantineau
Julien: Mathias Jung
Lisette: Julie Judd

Running time: 137’
Production: France / Italy, 2007
Rating: Not rated
Gauge: 35mm, DVD (color)

GENRE
Drama

DISTRIBUTOR
New Yorker Films




“Jacques Rivette's ‘Duchess of Langeais’ seems to me a nearly impeccable work of art - beautiful, true, profound. Based on Balzac's 1834 short novel and set against the French Restoration - Napoleon is in exile and a Bourbon king again sits on the throne - it traces how a passionate affair of the heart curdles into cruelty and obsession. Originally titled ‘Don't Touch the Ax’ (a threat guaranteed to make noble necks twitch), it is a story about manners, language, power and society and the bodies caught in their grip. ‘Life,’ one character observes, ‘is simply a complication of interests and feelings.’ Art too.”
Manohla Dargis, New York Times

The story takes place during the Restoration, a period when the dominant values are hypocrisy, social niceties and appearances. Antoinette de Navarreins, a Parisian coquette and wife of Duke de Langeais, is a product of her society. At a ball, she meets General Armand de Montriveau who seems to be her exact opposite. He has just returned from Africa and has little interest in Parisian society. On their first encounter, the Duchess and the General fall hopelessly in love with each other. For months, they meet every evening from eight to ten, as social etiquette requires. But Montriveau, a free spirit, wants to love the Duchess in broad daylight. Afraid of her feelings and bound to the rules of society, she rejects him. Convinced that the duchess is playing games, Montriveau decides to ignore his beloved. Desperate, she tries to reach out to him, endangering her reputation and status. When her last attempt fails, she disappears. Five years later, Montriveau arrives on a Spanish island. He has been searching for Antoinette in all the convents of Europe and America. In the monastery on the island he finally finds her. But it is too late for a material/physical love, and their story will remain as Montriveau murmurs “a book read during childhood, a poem”.

 
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